BookOpen AccessMetadata saja
2026•Koleksi Perpustakaan
Based on coursework developed at the Peabody Conservatory, this book serves as a crucial resource for early career musicians navigating the complexities of the digital era. This guide bridges the gap between creative practice and scholarly research, empowering musicians to confidently share and protect their work as they expand their performing lives beyond the concert stage as citizen artists. It offers a plain language resource that helps early career musicians see where creative practice and creative research intersect and how to traverse information systems to share their work. As professional musicians and researchers, the authors’ experiences on stage and in academia makes this guide an indispensable tool for musicians aiming to thrive in the digital landscape.
BookOpen AccessMetadata saja
2026•Koleksi Perpustakaan
This workbook is a practical method for learning the rudiments of music, which are essential to a thorough understanding of music in general. Designed as a supplement to professional instruction rather than a manual for self instruction, the text is intentionally brief. The emphasis is on using practical exercises to develop fluency. Aural, vocal, and keyboard skills must be integrated into the study of music theory from the very beginning. I encourage all students, regardless of their principal instrument, to learn to hear, sing, and play on the piano everything that they do in theory. All exercises in this book should be completed thoroughly. Usually a sample will be completed in brackets for each exercise, as a demonstration. Fluency with these basic materials of music will be a great asset to any further musical endeavors. For students who need additional exercises, suggestions for further study will be given.
BookOpen AccessMetadata saja
2026•Koleksi Perpustakaan
The Bible and Music by Dr. James F. McGrath provides an introduction and overview of the various ways that music and the Bible have been and continue to be connected. Part 1 focuses on history, presenting what we know about how music in the Ancient Near East sounded, how markings in the Masoretic Text of the Hebrew Bible have been interpreted as musical symbols, how chanting of biblical texts has featured liturgically in synagogues and churches, the impact of the Protestant Reformation, and musical developments in North America as enslaved Africans encountered biblical texts and stories. Part 2 focuses on specific texts in Jewish and Christian scripture and looks at how they have been interpreted through the process of setting them to music, including the soundtracks of cinematic depictions of biblical narrative and allusions to the Bible in popular music. Part 3 focuses on composers from the Middle Ages all the way down to the present day. Throughout the book, musical examples are not merely mentioned but embedded so that reading and listening may be seamlessly combined. The book does not presume prior knowledge of either music or the Bible, and additional links within the text provide definitions and further explanations for those who need or desire them.
BookOpen AccessMetadata saja
2026•Koleksi Perpustakaan
The Art of Music: Music Appreciation with an Equity Lens is a music appreciation textbook that features musical examples and photographs that represent the demographics of our students today. Special attention has been paid in choosing to represent women and minorities. World Music photographs and videos represent the music's areas of origin.
BookOpen AccessMetadata saja
2026•Koleksi Perpustakaan
Musics: Diversity, Difference, and Synergies is a radical re-imagining of how music can be studied. Non-Western, vernacular, and Western art music are valued equally and studied at the same level of depth. Of equal importance is the emphasis placed on hands-on doing. Scales common to Jazz and Western art music are learned by playing them on the piano. Rhythmic skills are embodied on the darbuka, a Middle Eastern goblet drum, through the study of Turkish rhythmic cycles called usuller. Pitch recognition is developed by singing paltas (pitch patterns) for Indian ragas and melodic studies for Turkish makamlar using fixed-do solmization systems. Training in moveable-do solfege for Western art music begins with conducting as a foundation. This is followed by the addition of takadimi syllables for rhythm, solfege syllables aligned with scale degrees, and, finally, pitch. Exploring improvisational practices from diverse cultures and genres is also prioritized. The study of Turkish usuller begins with basic forms that are then embellished through a series of ornamented variations that serve as models for developing improvisational skills. The preparatory exercises for ragas and tetrachord and pentachord studies for makamlar provide the foundation for improvisational techniques explored in these genres. Improvising over harmonic progressions common in Jazz is the first practical application of playing major scales on the piano. This first step is followed by the development of more focused improvisational approaches that parallel the growth of knowledge and skill sets. Another important principle in Musics is applying the pedagogical approaches used by practitioners of the musics in the cultures in which they are situated. Pedagogies are often intertwined with the epistemological and methodological frames that define the role and function of music within a culture. Developing an understanding of why and how music is practiced speaks toward an integrative model of engaging with the musics of diverse cultures. This approach differs from the Western construct of music theory, musicology/ethnomusicology, and performance as separate disciplines and, instead, places the interconnectedness and interplay of various facets of music as a foundational precept. The materials and methodologies in Musics are designed to function synergistically. For example, a pedagogical focus on pitch recognition is shared by many cultures and genres. Viewed from this perspective, pitch recognition is not culture-specific and the skills developed in one genre can be applied to others. However, the term pitch recognition is not inherently stable as the ways in which it is conceptualized and applied are grounded in and complicated by the diversity of cultural mores and practices. In this sense, the study of pitch recognition becomes reflexive, generating a multifaceted aggregate of knowledge and skills through which the understanding of each tradition differentiates, informs, and enriches the understanding of other traditions.
BookOpen AccessMetadata saja
2026•Koleksi Perpustakaan
A Step-by-Step Method for student composers to write in a variety of styles, genres, and forms. Driven by simple model examples and accompanied by audio samples, it is intended to develop individual creativity and confidence in writing and, in so doing, explore the student’s inherent expressive talents. Each chapter provides reference examples from the literature for the student to discover works by master composers.
BookOpen AccessMetadata saja
2026•Koleksi Perpustakaan
Music makes us human. Every culture on earth has music. In fact, every human society extending back into prehistoric times has had music. Most of us are surrounded by music. We use it to enhance our mood and to regulate our metabolism, to keep us awake and help us go to sleep, as background to accompany the work, study, exercise, and relaxation that fills our days. But it is precisely when music steps out of this background and asks for our attention, engages our memory and our expectations, that it becomes a fundamentally artistic endeavor. Music is a sonic response to a question that’s not really about sound at all, but rather is historical and social. The study of music is the study of human thought, experience, and history. This course is about the musical imagination. It’s how to think about music, but it’s also about music as a mode of thinking. (inspired by Michael Hays, Professor of Architectural Theory at Harvard University’s Graduate School of Design: Welcome to The Architectural Imagination (edx.org). This textbook was created as part of the Interactive OER for Dual Enrollment project, facilitated by LOUIS: The Louisiana Library Network and funded by a $2 million Open Textbooks Pilot Program grant from the Department of Education. This project supports the extension of access to high-quality post-secondary opportunities to high school students across Louisiana and beyond. This project features a collaboration between educational systems in Louisiana, the library community, Pressbooks technology partner, and workforce representatives. It will enable and enhance the delivery of open educational resources (OER) and interactive quiz and assessment elements for priority dual enrollment courses in Louisiana and nationally. Developed OER course materials will be released under a license that permits their free use, reuse, modification and sharing with others.The target audience for this project and this textbook are dual enrollment students. Dual enrollment is the opportunity for a student to be enrolled in high school and college at the same time. A dual enrollment student receives credit on both their high school and college transcripts for the same course.
BookOpen AccessMetadata saja
2026•Koleksi Perpustakaan
Sight reading music can be a daunting endeavor for aspiring, and even experienced, musicians. Foundational Sight Singing was created to provide a systematic approach to learn to read, hear and perform music. The ordered presentation of both melodies and rhythms in this text helps students develop accuracy and fluency in sight singing which is a fundamental skill for all musicians. It is a text for developing proficiency in reading and sight singing that can be used in a variety of contexts from individual practice to choral or instrumental ensemble rehearsals to college ear training courses. Multiple exercises are provided for drilling and practice at each level throughout the text to grow the students’ fluency and proficiency in reading and performing pitch and rhythm. This text will help students build a solid foundation upon which they can establish mastery.
BookOpen AccessMetadata saja
2026•Koleksi Perpustakaan
This OER presents an integrated suite of learning resources developed for the core music theory and musicianship curriculum at the University of Northern Iowa School of Music. It provides a more comprehensive symbiosis of musicianship and music theory learning than can be found in existing textbooks, including engaging and progressive video demonstrations and interactive listening and vocal exercises that integrate musical knowledge with foundational musical skills.
BookOpen AccessMetadata saja
2026•Koleksi Perpustakaan
Original Études for the Developing Conductor is a collection of supplemental études designed to enhance contemporary conducting pedagogy by amplifying the voices of composers from historically excluded groups. Each étude was commissioned from and composed by a living composer, the majority of whom are woman-identifying composers and/or composers of color. Each étude also addresses multiple specific pedagogical goals common to all conducting classrooms. Conducting textbooks commonly include musical examples to expose student conductors to various musical challenges and situations. However, due to the relative ease of using only music from the public domain, most examples found in commercially published books are excerpts of larger works composed by deceased cisgender white men of European descent. Often, this music bears little relation to a significant portion of the music contemporary students engage with and perform. These excerpts also tend to be quite short (i.e., less than a minute) and do not create cohesive, self-contained musical arcs. Instructors adopting or reviewing this text are encouraged to record their use on this form: https://bit.ly/original-etudes-interest. This helps the book's sponsors to understand this open textbook's impact. This project was made possible in part by financial support from the University Libraries at Virginia Tech Collaborative Research Grant, University of North Carolina at Greensboro University Libraries’ Textbook Affordability Program (TAP) Grants, and additional funding, technical, and publishing support from the Open Education Initiative of the University Libraries at Virginia Tech.
BookOpen AccessMetadata saja
2026•Koleksi Perpustakaan
This is the open access, full-color, second edition of Music Copyright, Creativity, and Culture, an introduction to the fascinating story of the legal, economic, aesthetic, and technological forces that shape the music we love. It can be read by anyone who is interested in that story or used as a textbook in classes ranging from undergraduate to law school.
BookOpen AccessMetadata saja
2026•Koleksi Perpustakaan
The history of music is closely linked to the history of copyright law. This book explores how the law shaped music and the music industry. From church and court patronage in pre-19th Century Europe, to the effects of social media on music, this book explores the abiding influence of the law on music.
